Feb 2026
The Last Resort (Coming 2026)
Scored by Josh Atchley and Denise Santos. Directed by Donald Petrie (How to Lose a Guy in 10 Days, Grumpy Old Men, Mystic Pizza). Cinematography by Russell Carpenter (Titanic).
Composer for film & television
Atmosphere-first scoring with restraint and narrative clarity. Josh builds tone that supports story and performance—never the other way around.
Josh Atchley is a composer for film and television whose work emphasizes atmosphere, restraint, and narrative clarity. His scores are shaped by tone first—supporting story and performance rather than drawing attention to themselves.
He occasionally collaborates with his wife, Emmy Award–winning composer Denise Santos, including on projects such as Parallel and The Last Resort. Coming from a rock and electronic background, Josh brings a modern sensibility to traditional scoring, blending texture, rhythm, and orchestral language when the story calls for it.
His career has included opportunities to work alongside Hans Zimmer on commercials, television, and film, as well as recording large orchestras on projects ranging from epic historical scores such as The Rising Hawk to darker crime thrillers. His work also spans contemporary genres, including a hip-hop–inflected crime score on Superfly, produced by Joel Silver of the Matrix and Die Hard franchises.
Based in Los Angeles, Josh works closely with directors and creative teams to craft music that feels inevitable—serving the story with precision, mood, and intent.
Feb 2026
Scored by Josh Atchley and Denise Santos. Directed by Donald Petrie (How to Lose a Guy in 10 Days, Grumpy Old Men, Mystic Pizza). Cinematography by Russell Carpenter (Titanic).
Josh Atchley is a composer for film and television whose work emphasizes atmosphere, restraint, and narrative clarity. His scores are shaped by tone first—supporting story and performance rather than drawing attention to themselves.
Coming from a rock and electronic background, Josh brings a modern sensibility to traditional scoring, blending texture, rhythm, and orchestral language when the story calls for it. Based in Los Angeles, he works closely with directors and creative teams to craft music that feels inevitable—serving the story with precision, mood, and intent.
He occasionally collaborates with his wife, Emmy Award–winning composer Denise Santos, including on projects such as Parallel and The Last Resort.
5 ASCAP Screen Awards
Including A&E’s LIVE P.D. and NBC’s LITTLE BIG SHOTS.
Posters provided by the studio.
Hip-hop–inflected crime score.
Moody thriller textures and restrained pulse.
Large orchestral palette for historical epic scale.
Atmospheric tension with tonal clarity.
Brooding suspense and propulsive pulse.
Gritty textures with cinematic scale.
Atmospheric noir with lyrical tension.
Psychological suspense and restrained momentum.
100s of TV shows, theme songs, and additional music for series, advertising, and studio work.
Recent cues and themes.
Listen to the full score
Listen to the full score
Listen to the full score
Listen to the full score
Fortnite
Available for film, television, and immersive media. Share your script, cut, or deck and we’ll talk tone.